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Themes for Sound Around 2007

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Vision for Sound Around



Themes for SOUND AROUND 2007

CHINA

NEW DIMENSIONS

ÖRESUND'S MUSIC

IT'S FOR KIDS!

When the first Sound Around opens its doors on the 4th of October 2007 more than two weeks await with a number of concerts by recognised Nordic and International ensembles, seminars where the public and composers can enter into dialogue with one another, premieres of Danish, Swedish and Chinese works, concerts for children and much more.



CHINA

A number of the biennale's dialogue-partners come from China. We place special focus on the first composition class to complete their conservatory education in Beijing after the Cultural Revolution. This group comprises prominent names such as Guo Wenjing, Tan Dun and Liu Sola.

The opening concert for SOUND AROUND 2007 offers the premiere of Guo Wenjing's concerto for the classical Chinese string instrument the erhu, and the DR Vocal Ensemble follows up with Wenjing's Echoes of Heaven and Earth. Liu Sola and her performance orchestra will give concerts in both Malmö and Copenhagen, and the German Ensemble Modern present a portrait programme of this group of composers.

Theme overview

NEW DIMENSIONS

Under the title of New Dimensions SOUND AROUND offers concerts and productions that cut across traditional genres. In collaboration with the School of Architecture on Holmen concerts will be presented,
in which sound, light and space will be explored with the Danish Radio Sinfonietta/DR and BEAST. The concert with the Danish Radio Sinfonietta will present a pioneer work: Edgard Varèse's Desérts with a video by the acclaimed American artist Bill Viola. This will be followed up by the premiere of the Swede Kent Olofsson's concerto for accordion, electronics and choreographed orchestra.
This will take place in the School of Architecture's Banquet Hall and when the Danish Radio Sinfonietta move out,
Birmingham Electro Acoustic Sound Theatre will move in with 100 loudspeakers and a mixing desk. BEAST present for the first time in the Oresund region acousmatic music full blast and in full configuration.

At PLEX in Copenhagen you are invited to join in exploration and  new experiences. The audience can interact with installations or simply enjoy the bombardment of the senses as onlookers. The Royal Danish Academy of Music's own festival, Pulsar, also opens a window in Sound Around. Here young composers work together with both local and international players.

Theme overview

ÖRESUND'S MUSIC

Premieres, new works, existing central-works and new centres. The program for Oresund's Music presents Scandinavian works performed by both local and international ensembles. There are premieres of the youngest generation - Niels Rønsholdt and Daniel Hjorth a.o. – and the more established - a.o. Pelle Gudmundsen-Holmgreen and Bent Sørensen. It will also be possible to hear former innovators such as Poul Rovsing Olsen, Allan Pettersson and Hilding Rosenberg.

Theme overview



IT'S FOR KIDS!

It's for Kids! is SOUND AROUND's offer to the youngest audience. Malmö Symphony Orchestra presents concerts for children and the young in the project New Young Sounds. At PLEX there are free children's concerts during the Autumn holidays. Here The Danish Chamber Players will play live to the film Toy Circus, and the ancient gods of Valhalla receive new life in a storytelling concert with 4 Elements and the actor Pelle Kann. In Sandberg Explorer 2.0 the audience participates in a journey in music and sound, where Thomas Sandberg takes in the space, explores sounds and implements them in his musical universe. The audience is also involved, when The Letmark Quartet takes the children on a musical journey of sound and pictures and make them part of the concert.

Theme overview


WELCOME TO SOUND AROUND 2007!

 
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Collaborating partners

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Contributers

MAIN SPONSORS:

INTERREG IIIA Oresund Region,The European Fund for Regional Development

Danish Composer's Society

Musik i Syd


FURTHER SPONSORS:

Beckett Fund

Danish Center for Culture and Development

Danish Choir Fund

Denmarks National Bank's Jubilee Fund of 1968

King Frederik and Queen Ingrid's Fund

Danish Art Foundation

Nordea Denmark Fund

Nordic Culture Fund

Pool for Art and Culture, Copenhagen's Municipality

Sonning Fund

The Toyota Fund

Tuborg Fund

Thanks to Martin Stig Andersen, Jexper Holmen, Denis Smalley, Liu Sola Music Studio, Guo Wenjing/Nieuw Ensemble, Danacord, Phono Suecia, BIS Records and Naxos Denmark for  lending music for the Internet radio.


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Vision for Sound Around

The inauguration of The Opera in Copenhagen in January 2005 and the planned inauguration of DR's new Concert Hall in Orestad in 2008 complete a development, that can potentially make the Oresund region the multicultural centre of Nothern Europe. Five symphony orchestras, a range of chamber ensembles and choirs of high international standard perform in the regions music venues from various epochs that represent the uppermost in relation to architecture and acoustics - from the newly restored Palladium in Malmö to The Opera in Copenhagen.

Hereby the Oresund region will become Northern Europe's biggest job market for classically trained musicians, singers and composers and a magnet for professional performers and creators from the EU and the rest of the world. Contemporary music is an important element in this scenario simply on the grounds of the region's educational potential with three music academies in Copenhagen and Malmö.

This forms the background for the Oresund Biennale, whose primary purpose is to reinforce the connections between the region's various musical forces and contemporary music in an international context. SOUND AROUND will also contribute to placing the Oresund region as one of Europe's music capitals in the 21st century.

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Educational project

SOUND AROUND is a part of the project: Contemporary Music in the Oresund Region.

Contemporary Music in the Oresund Region has the goal of in part strengthening collaboration between the higher music-educations in the region and in part between the region's music- and cultural institutions. In addition to a number of universities there are three conservatories in the Oresund region where sound technology, sound design and contemporary music play an important role. Students are, as the future's composers and producers of music, involved in setting the agenda for much of the music that will be presented in concert halls and music venues during the coming years.

Contemporary music in the Oresund region aims to create a network and establish a range of activities such as seminars and workshops leading up to the bienalle in the Autumn of 2007.

The educational institutions involved are:

The Music High School in Malmö, which is a part of Lund University and combines studies in contemporary composition and improvised music.

The Royal Danish Music Conservatory, which is an independent institution under the Ministry of Culture and exclusively concerns itself with composed music.

The Musicological Institute, University of Copenhagen , which combines studies in musicology with the training of music teachers at gymnasium level.

Department of Art History and Musicology, Lund University, which trains music researchers.

Institute for Communication, Business and Information Technologies, department of Communication and Performance-design, Roskilde University Centre, which provides a new humanistic subject in which students learn to arrange, execute and evaluate various forms of performance (events or similar arrangements involving a live and participating public).

Each of these institutions has its own characteristic profile, and this is probably the reason why collaboration between them has typically unfolded as singular, mutually independent projects that have seldom resulted in structural changes and the collection of past experienece.

Contemporary Music in the Oresund Region attempts, with respect for the various institutions' roots in the national educational systems and music culture, to locate well defined areas that can function as pilot projects and lead to an intensified and integrated cooperation between institutions.

Contemporary Music in the Oresund Region furthermore promotes the general development of cooperation between the various music education instituions in the Oresund region, since they can experience difficulties in financing a multifaceted education and a sufficiently large research environment. If one therefore on a large scale cooperates across the Oresund on educational programs with reference to teaching and research one can more easily create a larger base for more wide-ranging education and research, and at the same time reach a number of rationalization gains. Furthermore one could mutually cooperate on joint courses, avoid dupication, etc.

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